Music

Music

Electronic and improvised piano — from a Synthi A at Trent Polytechnic, correspondence with John Cage and Tristram Cary, and composition sessions with visiting tutor Michael Nyman in the early 1970s.

Trent Polytechnic, Nottingham · 1972

Concerto for Oscilloscope & EMS Synthi A

A concert in which an EMS Synthi A was interfaced with visual effects produced by an oscilloscope, later transcribed to video tape. Performed at Trent Polytechnic, Nottingham, and later broadcast on Radio Nottingham.

Giles Denmark — “I Am This Man”, piano, 27 November 2020.

John Cage · Tristram Cary · Michael Nyman

A Note on the Music

During my teenager years - I gave up playing Bach or Beethoven - and learnt the joys of improvisation - and how time, space, and sensation of being creates a dialogue with playing what one feels. I had a piano teacher who gave me an hour and half every saturday to play on her grand piano, a short walk from my home in Nottingham. When at Trent Poly doing fine art - i was seduced by the sythesiser - Synthi A - and I created performance works for rooms with sliding doors, with 3 reel to reel tape recorders all connected to one tape and a Concerto for synthi and oscilloscope - this was in 1970-1 and available to use in my compositions. This was perhaps related to the pioneer of electronic music Tristram Cary - (known for creating Doctor Who and Dalek music and sound effects) an English-Australian composer who while working as a radar engineer for the Royal Navy during World War II, he independently developed his own conception of electronic and tape music. In 1973 I corresponded with Tristram - as I wanted input as to where to develop in experimental electronic music - and here is a letter I had from Tristram Cary. Later in 1974-5 unfortunately my ears were blown out from sound, and when I was in post grad the Slade School of Art - where they had a computer in 1974 - if i played the piano all i could hear was a drum sound. So i wanted to go to MIT to create computer controlled music installations. Over the years I had researched and listened to all the experimental composers at the time (at Trent Poly - Michael Nyman was my visiting tutor, specially visiting me while I was at college in the early 1970s to help me in composing - during those wonderful times one could choose), and i would go to talks by contemporary composers. I contacted John Cage in New York to see if he had anything that could help me in going to MIT. Here is what John Cage sent me in 1995 - when I was at the Slade and living in London.

Letter from John Cage to Giles Mitchell, 1975, about MIT contacts

Letter received from John Cage with details about contacts for going to MIT, including Stephen Smolian and Luis Frangella.

Giles Denmark on SoundCloud · Performed for my Mother — Hampstead Parish Church, London, Sep 2011

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